Visual Arts

Visual Arts Courses

INTRODUCTION TO THE ARTS (MULTIDISCIPLINARY)

Introduction to the Arts is an interdisciplinary study of the fine arts disciplines of music, theater, cinema, dance, and the visual arts. This course provides students the basic knowledge, perceptual and applied skills necessary for developing an appreciation for each of the fine arts disciplines, revealing both the interrelationships and the uniqueness of each art form. Students will experience the visual and performing arts through live performances, gallery and museum tours, doing creative projects in each subject area, and classroom demonstrations.

Content Objectives
  • Perceive and describe the expressive and formal elements of the visual arts, cinema, music, theater, and dance
  • Analyze artistic works for their inherent meaning and the ways in which meaning is constructed
  • Respond emotionally to the content of artistic works, and begin to understand the nature of their responses
  • Recognize some major works and style periods in the visual arts, cinema, music, theater, and dance
  • Develop an appropriate vocabulary with which to speak about the visual arts, cinema, music, theater, and dance
Skill Objectives
  • Identify the basic visual elements and design principles of selected masterworks
  • Develop basic drawing skills through value studies, still life drawing, and color studies
  • Understand the principles of photography through pin-hole camera photography projects
  • Explore the color wheel and aspects of working in abstraction in a painting, collage, self-portrait project
  • Delve into sculptural form with a reductive, full-round sculpture project
  • Appreciate the responsibility and etiquette of being a good audience to the performing arts through attending live performances
  • Develop the basic skills of acting/storytelling as an introduction to the nature of physical performance before an audience
  • Understand and appreciate the nature of character, physical communication, dramatic conflict, and the nature of acting through directed improvisations
  • Perceive the basic stylistic characteristics of classical ballet, folk, jazz, and modern dance
  • Experience the sensual elements of organized dance through participation in movement classes
  • Appreciate the rudiments of cinema by shooting and editing a stop-action photo project
  • Hear the basic formal elements of music in a variety of musical styles
  • Appreciate how music is created and the expressive potential of music by composing musical segments with specific musical software
Materials
  • Episcopal High School Blackboard for arts vocabulary
  • Videos
  • Arts media
Methods of Evaluation
  • Two tests on material in the text websites, lectures, handouts, videotapes, listening examples, and tours. Each is worth 20%.
  • Averaged score for writing assignments, listening or skill quizzes (including suggested tours and evening outings). Forty percent total of final grade.
  • Projects: creative project work, including producing drawings and photographs, assembling sculpture, making music, creative movement, writing and acting a theater piece, public speaking and acting, and producing a short film. Thirty percent total.
  • Class participation is 10% of final grade.

CERAMICS I

Prerequisite: Introduction to the Arts. This course introduces students to the basic principles of working with clay. Experiences include hand building, wheel throwing, clay sculpture, and the installation of sculptural work.

Content Objectives
  • Introduce the students to materials, tools, supplies, and how to safely care for them
  • Introduction to clay constructions: pinch, slab, coil, wheel, and combinations of some or all
  • Understand the clay states: raw clay—green ware—bisque ware—glazed and fired ceramics
  • Understand principles of kiln firings
  • Understand historical referencing and vocabulary
  • Participation in touring of DC-Metro museums and galleries
Skill Objectives
  • Ability to push skills in hand building and throwing
  • Ability to correctly measure for two-piece creations
  • Craftsmanship
  • Originality
  • Critical analysis of student work
Materials
  • Potter’s wheels
  • Clay
  • Wedge board
  • Plastic sheets
  • Firing cones
  • Kilns: electric, gas
  • Kiln shelving and furniture
  • Virtual slide library
  • Clay-working tools: bats, needles, ribs (various shapes/sizes: metal and wood), sponges, wires, buckets, wood knives
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Ability to create ceramic work and see through all stages: inception/creation – trimming – drying – low firing – glazing – high firing
  • Effort
  • Craftsmanship
  • Attendance

CERAMICS 2

Prerequisite: Ceramics 1. This course continues a student’s development of the principles and techniques introduced in Ceramics 1. Students will investigate design aspects of wheel-thrown pottery and create hand-built sculptural work. Ceramics 2 will emphasize attention to craftsmanship, and will encourage the exploration of glaze application.

Content Objectives
  • Greater understanding of clay construction and limitations
  • Increased responsibility for preparation of materials and maintenance of clay drying
  • Investigation of texture use in work
  • Evaluation of master pottery
  • Participation in touring of DC-Metro museums and galleries
  • Investigation of historical referencing and analysis of styles
  • Troubleshooting and brainstorming of installation pieces
  • Generating ideas for a series
Skill Objectives
  • Growing proficiency in wheel throwing and hand building
  • Creation of work comprised of more than two pieces
  • Craftsmanship
  • Originality
  • Critical analysis of student work
Materials
  • Potter’s wheels
  • Clay
  • Wedge board
  • Plastic sheets
  • Firing cones
  • Kilns: electric and gas
  • Kiln shelving and furniture
  • Virtual slide library
  • Clay-working tools: bats, needles, ribs (various shapes/sizes: metal and wood), sponges, wires, buckets, wood knives
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Ability to create ceramic work and see through all stages: inception/creation – trimming – drying – low firing – glazing – high firing
  • Effort
  • Craftsmanship
  • Attendance

PORTFOLIO: CERAMICS

With permission of the instructor. Prerequisites: Ceramics 1 and Ceramics 2. This course is for serious ceramics students only. Elements of wheel throwing and hand building from the two previous levels will be pursued. Students are encouraged to develop their own interests in ceramics and glaze application. Additionally, students are expected to produce work during and outside of scheduled class periods.

Content Objectives
  • Independent research of sculptural, hand-built, and/or wheel-thrown ideas
  • Development of semester-long theme to encompass a major body of work
Skill Objectives
  • Superior proficiency in wheel throwing or hand building
  • Creation of a portfolio/body of work that demonstrates concentration of a ceramics thesis.
  • Craftsmanship
  • Originality
  • Critical analysis of student work
Materials
  • Potter’s wheels
  • Clay
  • Wedge board
  • Plastic sheets
  • Firing cones
  • Kilns: electric and gas
  • Kiln shelving and furniture
  • Virtual slide library
  • Clay-working tools: bats, needles, ribs (various shapes/sizes: metal and wood), sponges, wires, buckets, wood knives
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Ability to create ceramic work and see through all stages: inception/creation – trimming – drying – low firing – glazing – high firing
  • Effort
  • Craftsmanship
  • Attendance

PHOTOGRAPHY 1

This basic course provides students with a working knowledge of the 35 mm camera and the processes for developing black and white film and photographs. It includes the technical aspects of exposure, lenses, and metering, as well as the artistic considerations of composition and lighting. Digital imagery is incorporated into all aspects of the class, using PhotoShop software, digital cameras, scanners, and printers. The course also includes webpage construction. Tours and off-campus photo opportunity trips are built into the course. A final portfolio is required. Students need a 35 mm camera—preferably adjustable—with a built-in light meter.

Content Objectives
  • Become familiar with the basic principles, technical, and creative components of photography
  • Become familiar with digital photography
  • Acclimate to the workings and components of an SLR 35 mm camera
  • Learn 35 mm black and white film developing techniques
  • Learn how to print a black and white photograph using a darkroom enlarger
  • Develop the skills of active viewing with the camera
  • Encourage creativity with the camera
  • Understand the compositional elements of filling the "rectangle" within the camera viewfinder
  • Explore qualitative issues and aesthetics of photography. What makes a photograph "good"?
  • Become familiar with the history of photography
  • Learn the process of digital input (film and flatbed scanners, digital cameras) and manipulation of images
Skill Objectives
  • Ability to read the light meter and shoot images using the correct exposure
  • Execution of deep depth of field, shallow depth of field, stop motion, and blur motion photography
  • Mastery of black and white film processing and printing
  • Demonstration of the darkroom printing techniques using dodging, burning, and filtering
  • Ability to create compositionally sound photographs
  • Creation of a virtual catalogue of images
  • Creation of prints, via the computer, of digital imagery that demonstrate an understanding of Adobe PhotoShop tools and software
Materials
  • Cameras: 35 mm single lens reflex; digital
  • Film: 35 mm 400 speed Kodak Tri-X film; 35 mm 400 speed Kodak color film; 16 mb digital cards
  • Portfolio for finished prints
  • Computers
  • Flatbed scanners
  • Film scanners
  • Printers
  • Enlargers
  • Chemicals for processing film and printing photographs
  • EHS academic intranet
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Effort
  • Craftsmanship
  • Attendance

PHOTOGRAPHY 2

This course goes beyond the basic skills learned in Photo 1. Students begin with analyzing formalism in composition and then take that information into each successive project. The students will investigate documentary photography, digital mixed-media Photoshop techniques, and portrait work (to name a few). With each unit covered, a companion essay is composed. All of the work created during the semester is made into a photo-essay coffee-table–style book.  Additionally, the class will tour and relate historical works as it applies to studio assignments. Prerequiste: Photo 1.

Content Objectives
  • Develop proficiency with 35 mm photography (composing to processing to printing)
  • Further explore advanced techniques with digital photography
  • Become familiar with medium and large format photography
  • Become familiar with bookmaking using digital photography
  • Experience the process of developing a body of work that explores a common theme with a basic understanding of the history of photography
Skill Objectives
  • Develop photographic situations (including nighttime photography)
  • Create images using push and pull film
  • Compose and shoot portraits at the correct exposure with a medium-format camera
  • Compose and shoot landscapes at the correct exposure with a medium-format camera
  • Compose and shoot a portrait using studio lights and a large-format camera
  • Create a resolved digital print using collage techniques, layering, and filters
  • Produce a book based upon a common theme
  • Assess proper film, speed, shutter speed, aperture, and metering
Materials
  • Cameras: 35 mm single lens reflex; medium-format camera; large-format camera; digital
  • Film: 35 mm 400 speed Kodak Tri-X film; 35 mm 400 speed Kodak color film; 16 mb digital cards
  • Portfolio for finished prints
  • Computers
  • Flatbed scanners
  • Film scanners
  • Printers
  • Enlargers
  • Chemicals for processing film and printing photographs
  • EHS academic intranet
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Effort
  • Craftsmanship
  • Attendance

PORTFOLIO: PHOTOGRAPHY

This course is for serious photography students only. Elements of photography introduced in the previous two levels will be pursued. With an emphasis on independently explored subject matter, students are given the freedom to create work that interests them. By department permission. Prerequisites: Photo 1 and 2.

Content Objectives
  • Independent research of photographic ideas
  • Development of semester-long theme to encompass a major body of work
Skill Objectives
  • Superior proficiency in composing, processing, and printing photographs
  • Creation of a portfolio/body of work that demonstrates concentration of a photographic thesis
  • Craftsmanship
  • Originality
  • Critical analysis of student work
Materials
  • Cameras: 35 mm single lens reflex; twin lens reflex; medium-format camera; large-format camera; digital
  • Film: 35 mm 400 speed Kodak Tri-X film; 35 mm 400 speed Kodak color film; 16 mb digital cards
  • Portfolio for finished prints
  • Computers
  • Flatbed scanners
  • Film scanners
  • Printers
  • Enlargers
  • Chemicals for processing film and printing photographs
  • EHS academic intranet
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Effort
  • Craftsmanship
  • Ability to organize and install an exhibition of work in the student art show
  • Attendance

DRAWING 1

Prerequisite: Introduction to the Arts

"Drawing from life" whereby you take view of an object, place, or person and transfer that vision of the real onto a two-dimensional work, is a challenging task. This course first helps students to "see" their world, and then train their hand to work off of that critical observation. The students will work through ideas of line and value using a variety of media that include pen and ink, pencil, charcoal, and chalk. During this one-semester course, specific areas of study are the human figure, still life, landscape, and perspective. Students also study master artists' works. Course work is supplemented with tours to area museums and galleries. Students will generate five to ten original works of art. This course is a prerequisite for Drawing 2.

Content Objectives
  • Become familiar with, examine, and develop all styles of line and value
  • Become familiar with the techniques of observational rendering
  • Become familiar with the basic principles of 1-point and 2-point perspective drawing
  • Make references to historical works of art
  • Tour DC-Metro museums and galleries
  • Become familiar with critical discussion of student and historical artwork
  • Explore qualitative issues and aesthetics of 2-D art. What makes a drawing or print "good"?
  • Develop an understanding for composition
  • Learn the supplied vocabulary and theories as related to drawing
Skill Objectives
  • Develop observational rendering techniques
  • Critically evaluate own and others’ work(s), identifying areas of strength and weakness
  • Acquire keen sense of composition
  • Expand creatively
Materials
  • Drawing on the Right Side of the Brain, Betty Edwards
  • EHS intranet
  • Video library
  • Virtual slide library
  • Studio materials: pencil, charcoal, markers, erasers, linoleum block and inks, linoleum cutting tools, various papers (weights and sizes), brush and ink, pen and ink, etc.
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Effort
  • Craftsmanship
  • Attendance

PAINTING 1

Prerequisite: Introduction to the Arts

This course is designed to teach students about color and composition using the medium of painting. During this one-semester course, students will learn about color concepts and relationships through formal study and color-mixing exercises that resolve into finished works. Painting from life, students will tackle a variety of subjects including, but not limited to, still life, portraiture, landscape, and abstraction. Art history components are incorporated into class assignments. Course work is supplemented with tours to area museums and galleries. This course is a prerequisite for 2-D Portfolio.

Content Objectives
  • Introduce the students to materials, tools, supplies, etc., and how to safely care for them
  • Continue lessons on the theories of color established in Introduction to the Arts
  • Introduce the mixing of colors
  • Learn the supplied vocabulary and theories as related to painting
  • Make references to historical works of art
  • Tour DC-Metro museums and galleries
Skill Objectives
  • Develop painting techniques
  • Further develop and apply concepts of composition
  • Participate in critical analysis of student and historical work
  • Present own work to class
  • Respond and react to influences of paintings
Materials
  • EHS intranet website
  • Video library
  • Virtual slide library
  • Studio materials: pencil, charcoal, markers, watercolor paint, acrylic paint, various brushes, palette knives, various papers, various paintable surfaces (masonite, canvas, wood board), gesso, etc.
Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Effort
  • Craftsmanship
  • Attendance

PORTFOLIO STUDIO ART

This course is designed for the advanced art student. Media include drawing materials and extend to printing, watercolors, acrylics, and oil bars. Art history components are incorporated with class assignments. Coursework is supplemented with tours to area museums and galleries. By department permission.

AP STUDIO ART

Students who are invited to participate in Advanced Placement Studio Art will have three portfolio options: Drawing, 2-D Design, and 3-D Design. This is a yearlong course.

Drawing Portfolio addresses a very broad interpretation of drawing issues and media. Light and shade, line quality, rendering of form, composition, surface manipulation, and illusion of depth are drawing issues that can be addressed through a variety of means. Many works of painting, printmaking, and mixed media, as well as abstract, observational, and inventive works may qualify. The range of marks used to make drawings, the arrangements of those marks, and the materials used to make the marks are endless.

2-D Design Portfolio addresses a very broad interpretation of two-dimensional design issues. This type of design involves purposeful decision making about how to use the elements and principles of art in an integrative way. The elements of design (line, shape, illusion of space, illusion of motion, pattern, texture, value, and color) are like a palette of possibilities that artists use to express themselves. The principles of design help guide artists in making decisions about how to organize the elements on a picture plane in order to communicate content. These principles include unity/variety, balance, emphasis, rhythm, and proportion/scale.

3-D Design Portfolio addresses a broad interpretation of sculptural issues in depth and space. These may include mass, volume, form, plane, light, and texture. Such elements and concepts can be articulated through additive, subtractive, and/or fabrication processes. A variety of approaches to representation, abstraction, and expression may be part of the student’s portfolio. These might include, among others, traditional sculpture, architectural models, three-dimensional models, apparel, or ceramics.

Content Objectives
  • Understand the process of conceiving and taking an idea to an end resolution
  • Budget time
  • Recognize the growth and change in work over the year
  • Make reference to historical works of art and their sequence
  • Tour DC-Metro museums and galleries
Skill Objectives
  • Creation of a slide portfolio/body of work that demonstrates one year’s worth of work in a specific concentration
  • Craftsmanship
  • Originality
  • Critical analysis of student work
Materials

As determined by specific area of study (drawing, 2-D, or 3-D)

Methods of Evaluation
  • Completion of studio assignments
  • Participation in evaluation of own and others’ work
  • Graded art work
  • Effort
  • Craftsmanship
  • Ability to manage, organize, and install an exhibition of work in the student art show
  • Ability to meet deadlines as published by the College Board (due dates for slide portfolios, etc.)
  • Attendance