English Language and Literature

Four credits are required in English. Students must be enrolled in English every year at EHS and must pass grammar competency tests in English 1, 2, and 3. Either an Honors or Advanced Placement English course is offered for levels 2 through 4.

Department Philosophy

English courses at EHS seek to inspire a lifelong love of reading and to foster the humane spirit which can result from immersion in good literature. Students participate in class discussions to gain confidence in their own responses and make their own intellectual discoveries. They will graduate armed and graced with the writing and public speaking skills necessary for critical thinking at the college level.

English teachers help each student cultivate a distinctive writing voice. Assignments focus on three aspects of composition: framing significant thesis claim statements, developing logical organization, and incorporating concrete textual evidence. Written work is evaluated with specific rubrics helping students see both strengths and weaknesses, with multiple opportunities to revise their work. Each grade level provides experience in literary research, critical evaluation of secondary sources, and proper MLA citation procedure. Each year the department publishes the English Bays, featuring award-winning student writing in many genres, both critical and creative.

The English program provides sustained teaching of grammar, using the Holt Handbook of Composition and Grammar. Students in English 1, 2, and 3 are required to achieve a passing average on competency tests to earn promotion to the next course level. The study of literature at EHS combines traditions of the canon with contemporary innovation, examining lasting works that provide an essential understanding of what it means to be human and inspire students to discover what they themselves might contribute to that library of thought. The journey begins in English 1, pursuing thematic study, in a variety of literary genres, of the individual’s place in society. Students hone their writing and speaking skills in assignments that demand logic in argument and confidence in public address. During the year, students deliver three speeches to compete for the Freshman Speech Award. In English 2, courses continue to build students’ understanding of argumentative and analytical writing. Literary discussions relate authors’ decisions about language and technique to their purpose as writers.

Upper level courses engage students with timeless cultural and ethical issues and encourage creative participation in the literary tradition. English 3, a two-semester study of American literature (with Advanced Placement sections preparing for the English Language AP examination), emphasizes close reading as a habit of mind and reinforces student mastery of argumentative and analytical writing. The English program culminates in the senior year with English 4, a one-semester course in British literature (with AP sections preparing for the English Literature AP examination) that promotes serious critical inquiry into the intrinsic merit of literary experience. In the second semester, elective courses provide opportunities for focused study and creative expression in areas of particular interest.

The English Department upholds a tradition of appreciation for Shakespeare. Students read and attend a performance of at least one Shakespeare play at each grade level. As a senior English requirement, all students take an annual examination to compete for the William Barrett Gibb Medal in Shakespeare.

Courses

ENGLISH 1

English 1 is a two-semester course that introduces students to the novel, the short story, poetry, and drama. The course focuses on different ways to approach texts of each genre. Students learn literary elements, poetic devices, and other critical terms that enable them to interpret various texts. Students also develop public speaking and writing skills by delivering three speeches and completing literary analysis, creative writing, and research paper assignments during the year. Vocabulary enrichment and grammar instruction are also components of the course.

Content Objectives

The goal of the course is to instill an appreciation of literature and to build cultural literacy. English 1 introduces students to the more advanced study of literature. Students will no longer just report, but must learn to analyze character, plot, and story structure. They must also learn to craft original claim statements and support their claims with textual evidence. A seminar classroom format requires all students to be active participants in discussions each day. Teachers encourage students to grow as readers and writers and to find their own voices.

Materials

  • Achebe's Things Fall Apart
  • Cisneros' House on Mango Street
  • Steinbeck's Of Mice and Men
  • Golding's Lord of the Flies or Haddon's The Curious Incident of the Dog in the Night
  • Shakespeare's Julius Caesar
  • Hurston's Their Eyes Were Watching God
  • Poetry

Methods of Evaluation

Grades reflect students’ performances in reading, speaking and writing as well as their participation in classroom discussions. There are three grammar competency tests during the year, on which students must have a passing average in order to advance to English 2.

ENGLISH 2 & HONORS ENGLISH 2

English 2 classes divide the academic year in order to focus on four literary genres: drama, fiction, non-fiction, and poetry. During each quarter students take tests and write critical essays, both in and out of class, on various representative works of each genre. Additionally, we emphasize vocabulary and both structural and functional grammar.

Students must achieve a passing average on two grammar competency exams in order to advance into junior English. Student prose is developed through frequent journals and analytical essays, which are often revised. In an effort to build public speaking confidence and skills highlighted in our freshman curriculum, sophomores present formally to their classmates at least once during the year.

Sophomores placed in Honors English 2 (by teacher recommendation and departmental invitation) follow a similar genre-based curriculum to that found in English 2. There is, however, a greater emphasis placed on independent reading and paper production than in the regular sections.

Parallel reading projects and subsequent critical analyses of works such as Sophocles’ Oedipus Rex, Toni Morrison’s Song of Solomon, and Shusaku Endo’s Silence are typical of the heightened requirements of this demanding course. Moreover, all written work is held to a higher standard, as the verbal acuity of students in the course allows for a stylistic focus transcending grammatical functionality.

Content Objectives

Among our goals are the building of a solid allusive base and the development of a lifelong reading habit. Towards these ends, our curriculum includes established classics—such as Macbeth, Antigone, The Metamorphoses, and Inferno—as well as more modern works that have been proven to capture the imaginations of young scholars—such as Athol Fugard’s "Master Harold" . . . and the boys, Kurt Vonnegut’s Cat’s Cradle, and John Hersey’s Hiroshima. Students gain a basic understanding of each genre and an awareness of what makes each form of expression unique. After developing a solid groundwork in the separate forms, students are encouraged to try their hands at creating examples of their own, pulling largely from personal experiences.

Materials

  • Shakespeare, Macbeth
  • Fugard, "Master Harold" . . . and the boys
  • Sophocles, Antigone
  • Knowles, A Separate Peace
  • Vonnegut, Cat's Cradle
  • Krakauer, Into Thin Air
  • Ovid, The Metamorphoses
  • Dante, Inferno
  • Arp, Perrine’s Sound and Sense
  • Holt Handbook: Grammar, Usage, Mechanics, Sentences
  • Sophocles, Oedipus Rex (Honors only)
  • Toni Morrison, Song of Solomon (Honors only)
  • Shusaku Endo, Silence (Honors only)

Methods of Evaluation

Grades reflect performance on both in- and out-of-class assignments. Quizzes, tests, in-class essays, and longer papers on reading material are common. As is appropriate for students at the sophomore level, there are frequent opportunities for revision. Cooperative, engaged participation in class discussion is also expected.

ENGLISH 3

English 3 is a two-semester course focused on exploring the works of major American writers from the earliest days of English colonization to contemporary times. The course includes the works of authors from the diverse cultural environments that characterize the American nation, past and present. Among others, authors such as Olaudah Equiano, Thomas Jefferson, Mark Twain, Emily Dickinson, and Langston Hughes appear as voices representing the American cultural tradition. English 3 includes in its core curriculum one Shakespeare play: Othello, The Moor of Venice.

There is strong emphasis on critical thinking, reading, and writing. Students write regular expository responses to their readings in journals and formal essays. Students also take in-class timed essay tests to allow them to practice time-efficiency and precision in their writing. In the second semester, students write an extensive research paper on a literary topic, an assignment designed to teach them to use literary research tools and secondary sources. Class discussions are organized to best develop strong listening and oral skills; students work to communicate ideas with one another as well as with the teacher.

Students are urged to participate actively.

The English Department also requires a basic level of grammar competency for promotion to English 4, and students prepare for and take three competency tests during the course of the year.

Content Objectives

English 3 prepares students for English 4, as well as provides the foundation for college reading, writing, and analysis. The department strives to develop further proficiency in reading, writing, grammar usage, and discussion, building upon the skills base established in English 2. Students learn to think more effectively and sensitively about topics of cultural import as these emerge from the readings. American literature provides a good vehicle for self-exploration; students tap into their own experiences as they compare and contrast their perspectives with those presented in the studied works.

English 3 challenges students to develop clarity, precision, and creativity in self-expression, both written and oral. The intention is that these skills will become useful tools in their development of an ever-increasing sense of independence and self-awareness in their thinking and writing.

Materials

  • Norton Anthology of American Literature
  • Mark Twain, Huckleberry Finn
  • F. Scott Fitzgerald, The Great Gatsby
  • Ken Kesey, One Flew Over the Cuckoo’s Nest
  • Jon Krakauer, Into the Wild
  • Arthur Miller, Death of a Salesman
  • William Shakespeare, Othello
  • Tennessee Williams, A Streetcar Named Desire
  • Tennessee Williams, Cat on a Hot Tin Roof
  • Orgel, Building an Enriched Vocabulary
  • Holt Handbook: Grammar, Usage, Mechanics, Sentences

Methods of Evaluation

Grades at this level reflect performance in all the skills areas that make up the course objective: reading and writing, oral discussion, and grammar skills. The quality of input in writing, as well as in oral presentations and daily discussions, is evaluated carefully.

Students are assessed in these areas based on the depth of their critical analysis, and on their willingness to take intellectual risks to reach critical insights through the asking and answering of effective questions. Students are also evaluated for the level of effort and maturity with which they approach all aspects of their responsibilities in the course. Respect for others, thoroughness, and timeliness of preparation are included in each student’s evaluation at the marking period’s end.

AP ENGLISH 3: LANGUAGE & COMPOSITION

AP English 3 is similar to English 3 in that it is a two-semester survey course in American literature. Enrollment in this course requires demonstrated excellence in written and oral expression in the context of literary studies. AP English 3 is intended to prepare students for college-level study, with a particular focus on recognizing and applying the rhetorical strategies that define great writing. This level also requires students to work through a supplementary list of “parallel” readings that are not included in the English 3 curriculum. They read and analyze these as independent projects, and produce essays that they share with peers through informal discussion and in more formal presentations. Timed essays in preparation for the AP exam are given frequently throughout the year, and students are guided to develop effective and precise responses to specific prompts like those they will encounter on the AP exam. As in English 3, AP students also write a major research paper in the second semester, review vocabulary, and take three “grammar competency” exams.

Content Objectives

As a course designed to take a firm step towards college preparation, English 3 AP works to develop skills in college-level literary studies. The course intends to be a mode by which these students will qualify themselves for college credit in English. Students are expected, as in English 3, to develop proficiency as thinkers, readers, writers, and confident speakers. AP English 3 students are expected to show strong leadership and maturity in their work in all areas, particularly in class discussion. This course is designed to train students to work effectively in various modes and settings. They work in small groups, in the library with research materials, and in their own time and space during study hours. They will be competent in composition, essay testing, grammar, and critical analysis, and will develop a basic understanding of American literature’s diverse cultural heritage.

Materials

In addition to the materials listed for English 3, AP students read the following texts:

  • Warren, All the King’s Men
  • Hawthorne, The Scarlet Letter
  • Morrison, Beloved
  • Chopin, The Awakening
  • Maclean, A River Runs Through It
  • Alvarez, How the Garcia Girls Got Their Accents
  • DeLillo, White Noise
  • McCarthy, Blood Meridian

Methods of Evaluation

Grades at this level reflect performance in all the skills areas that make up the course objective: reading and writing, oral discussion, and grammar skills. The quality of input in writing and in oral presentations and daily discussions is evaluated carefully. Students are assessed in these areas based on the depth of their critical analysis, and on their willingness to take intellectual risks to reach critical insights through the asking and answering of effective questions. Students are also evaluated for the level of effort and maturity with which they approach all aspects of their responsibilities in the course. Respect for others, thoroughness, and timeliness of preparation, as well as punctuality and attendance are essential and included in each student’s grade and teacher comment at the end of the marking period.

ENGLISH 4

English 4 is a one-semester course which is a survey of major British writers including Chaucer, Shakespeare, Milton, Wordsworth, and Keats. As in all English courses, there is strong emphasis on critical reading and writing. Timed and untimed essays are assigned at frequent intervals, and there is, in the first semester, a major research paper. Our seminar classroom format requires of all participants that they engage actively in all the work, taking notes, asking questions of each other, and offering constructive responses.

Content Objectives

English 4 is a culminating experience in that it presents texts which, generally, are more challenging than those of English 3, and it presents them in more depth and from more specialized perspectives. Our objective is to develop proficiency and maturity as critical readers and writers. We want to think, speak, and write with clarity, order, precision, sensitivity, and imagination. Further, our objective is to cultivate a sound appreciation of the most powerful, influential writers in English.

Materials
  • Abrams, Norton Anthology of English Literature
  • Shakespeare, Hamlet and The Taming of the Shrew (Fall ’07)
  • Sophocles, The Oedipus Cycle (trans. Fitts and Fitzgerald)
  • Holt Handbook: Grammar, Usage, Mechanics, Sentences
Methods of Evaluation

Grades reflect all facets of the scholarly performance, including not only the quality of one’s reading, speaking, and writing, but also one’s punctuality, attendance, alertness, engagement in classroom discussion work, courtesy, and thorough, timely preparation of all assigned work. Each course of study is a collaboration involving everyone in the classroom.

AP ENGLISH 4

AP English 4 is, like English 4, a one-semester course which is a survey of major British writers. Enrollment in this course requires demonstrated excellence in literary study. AP English 4 is a college-level course, distinguished from English 4 by its expectation of excellence in critical reading and writing, and by its parallel reading program involving the independent study of two or three prescribed major British novels and the presentation of critical papers based on the study of each novel. Timed essays, in AP exam format, are frequent, and other AP exam preparation exercises are built into the course. As in English 4, there is a major research paper, and a constant emphasis on effective seminar interaction among students.

Content Objectives

As a college-level course, AP English 4 is designed to qualify its students for successful performance in upper-level elective college English courses. Our students are expected to share in prepared classroom discussion leadership, and to make effective use of our library’s resources in critical commentary. They will be competent in composition skills, and they will have an understanding of the history of English language and literature.

Materials

In addition to the Materials for English 4, there are the following texts:

  • McEwan, Atonement
  • Austen, Pride and Prejudice
  • Dickens, Great Expectations
  • Joyce, A Portrait of the Artist as a Young Man
  • Woolf, To the Lighthouse
  • Greene, The End of the Affair

Methods of Evaluation

Grades reflect all facets of the scholarly performance, including not only the quality of one’s reading, speaking, and writing, but also one’s punctuality, attendance, alertness, engagement in classroom discussion work, courtesy, and thorough, timely preparation of all assigned work. Each course of study is a collaboration involving everyone in the classroom.

FOLGER SHAKESPEARE FELLOWSHIP

Students nominated by the English Department may apply for this highly selective program, which attracts some of the best students from schools across the Washington Metro area. Chosen students meet during the fall semester at the Folger Shakespeare Library for weekly seminars taught by visiting university professors and attend weekend rehearsals and performances of Shakespeare plays at the Lansburgh Theatre. This program fulfills Episcopal's first-semester English requirement. By application to the Folger Shakespeare Library and department permission.

English 4 Electives

Second-semester seniors are required to take one of the array of elective courses listed below. The Content Objectives and Methods of Evaluation outlined for first-semester senior English, above, continue to apply. The electives program makes available a variety of studies in specialized subject areas involving students in an increased level of project activity and classroom presentations. Our intention is to reward seniors with some stimulating options during their final semester and to engage them in more self-directed activity.

The electives program currently includes these courses and materials:

CREATIVE WRITING

This second-semester course is designed to familiarize students with fundamentals of writing fiction and/or poetry, using classic and contemporary works as models that afford students a better understanding of the creative process. Through regular writing assignments, students can demonstrate their writing skills as well as experiment with various strategies. Students must provide writing sample. By department permission.  

  • Perrine, Story and Structure  

LEADERSHIP IN LITERATURE

This course examines principles of leadership contained in various literary texts. The course is constructed in three parts—Philosophy of Leadership: an examination of the ethics that good leaders possess; Literary Action: an examination of the leader's actions within a fictional text (along with historic examples); Rhetoric: an examination of the language used by various leaders to persuade and convince.

  • Cicero, On Duties
  • Shakespeare, Henry IV, Part I  

HARD-BOILED DETECTICE FICTION

This course will look at the development of the crime-solving genre in fiction. The students will use novels, screenplays, and films to study development of the detective character. Emphasis will be on American fascination with the detective (Phillip Marlowe, Kinsey Millhone) as anti-hero. Authors may include Poe, Doyle, Agatha Christie, Elmore Leonard, and Raymond Chandler among others.

  • Chandler, Big Sleep and Farewell, My Lovely
  • Christie, Murder of Roger Ackroyd
  • Hammett, Maltese Falcon
  • Macdonald, Galton Case
  • Mosley, Devil in a Blue Dress

ADVANCED READINGS IN LITERATURE & PHILOSOPHY

As stated in the Penguin Great Ideas series, some books “have transformed the way we see ourselves-and each other. They have inspired debate, dissent, war, and revolution. They have enlightened, outraged, provoked, and comforted.” This course will investigate many of these books written by Ancient Greek, Roman, Renaissance European, and Modern thinkers. The class will follow a seminar format where contextual lectures, writing assignments, and discussion support the texts at the core of the course.

  • George Orwell, “Why I Write”
  • Plato, The Symposium
  • Thomas Hobbes, “Of Man”
  • Seneca, “On the Shortness of Life”
  • Francis Bacon, “Of Empire”
  • Friedrich Nietzsche, Why I Am So Wise
  • Virginia Woolf, “A Room of One’s Own”
  • Thorstein Veblen, “Conspicuous Consumption”
  • Baldesar Castiglione, How to Achieve True Greatness

DYSTOPIAN FICTION: A WALK ON THE DARK SIDE

This course will begin with an examination of Plato's Republic and Thomas Moore's Utopia then will quickly move into the darker futuristic visions of Orwell (1984), Burgess (A Clockwork Orange), Atwood (A Handmaid's Tale), Saramago (Blindness), and McCarthy (The Road). Dystopian films designed to warn the world about the evils of human excess, loss of identity, and totalitarianism will be utilized. Prominent among these films are Metropolis, Blade Runner, Brazil Gattaca, and Children of Men.

  • Plato, The Republic
  • Sir Thomas Moore, Utopia
  • George Orwell, 1984
  • Anthony Burgess, A Clockwork Orange
  • Margaret Atwood, A Handmaid’s Tale
  • José Saramago, Blindness
  • Cormac McCarthy, The Road
  • Metropolis
  • Blade Runner
  • Brazil
  • Gattaca
  • Children of Men

SHAKESPEARE: PAGE, STAGE, AND SCREEN

This course offers students the opportunity to dig deeply into Shakespeare's genius using the many resources available in the Washington area. Students start with close textual analysis of the playwright's works, augmented by film and/or live performances. Works being studied will include Henry IV, The Merchant of Venice, Much Ado About Nothing, and King Lear, as well as others, depending on local Shakespeare theaters. Discussions will also include modern adaptations and their themes as set in a more contemporary context.  

  • Henry IV, Part 1
  • The Merchant of Venice
  • Much Ado About Nothing
  • King Lear
  • Other plays, depending on what our many local Shakespeare theaters offer
  • Akira Kurosawa, Ran
  • Baz Luhrmann, Romeo and Juliet

ETHICS AND AESTHETICS

This course centers on evaluating the relationship of literary beauty to philosophic truth. Is the truth, even the so-called ugly truth, beautiful when it is seen in its proper perspective? Is a beautiful work of literary fiction also in some way true, in that it communicates a universal truth about the human condition?

Content Objectives

This course does not provide formulaic answers to these questions but wrestles with them, using Aristotle’s Poetics and Ethics as preliminary guides and drawing on literary works to serve the place and function of case studies in Ethics.

At the supreme lyrical moment of Keats’s “Ode on a Grecian Urn,” the urn, as embodiment of artistic achievement intones, “Beauty is truth, truth beauty.” The phrase itself is beautiful, but how precisely is this famous dictum true? This team-taught seminar course will explore the analytical methods of philosophy and literary criticism to provide clear answers. Theoretical questions will be presented from a philosophical perspective, using the first two units of the Ethics elective (“Relativism: Ancient and Modern,” and “Big-R Reality: Ontology and Epistemology in Plato and Aristotle”) and from a literary perspective, using a scheme of Aristotelian criticism which traces the “Scale of Literature” in terms of the scope of probable truth, from small, everyday nonfictional genres through myth and folk tales and ballads, to lyric poetry and dramatic monologues, short stories, and longer narratives and culminating in epic and tragedy. In this course, study of literary works will serve the place and function of case studies from the Ethics syllabus. The writing assignments will include creative pieces in emulation of the examples encountered along the scale of literature, as well as critical essays and case studies of real ethical situations.

Materials

  • excerpts from Plato’s Republic and Symposium
  • excerpts from Aristotle’s Nicomachean Ethics
  • various handouts
  • Sartre, No Exit
  • from the Bible: Genesis, Job, Romans
  • Sophocles, Oedipus the King
  • Shakespeare, Hamlet
  • Eudora Welty, “A Piece of News,” “Keela, the Outcast Indian Maiden”
  • Katherine Anne Porter, Noon Wine
  • a contemporary novel

Methods of Evaluation

  • Shakespeare exam
  • periodic AP review sessions with AP multiple choice and in-class AP essays
  • writing assignments
  • Short writing assignments (study questions, response journals) will be assigned frequently and graded to aid in assimilation of the reading assignments and help in preparation for the longer writing assignments. At regular intervals, formal writing assignments will be due—analytical papers in philosophy or literary criticism, or creative writing (poems, short stories) of comparable scope. There will be five or six such assignments before the beginning of Senior Seminar; of these, each student must write at least two analytical papers and at least two creative pieces.

SOUTHERN LITERATURE AND ETHICS

This course will explore how Southern writers and critics played a crucial role in shaping twentieth-century concepts of what the ethical and aesthetic standards of literature should be. Students will study how modern Southern writers achieved a new realism, turning away from sentimental escapism and glorification of the past to meditate truthfully on the South’s social history. They will read works by the Fugitive Poets, the New Critics, short fiction of O’Connor, Welty, and Porter, and one major novel (such as Faulkner’s The Sound and the Fury or Styron’s Confessions of Nat Turner) which helped restore full tragic stature to American fiction.

Content Objectives

This course will explore not only what the best modern Southern Literature has been written about (the ethics), but also how Southern writers and critics played a crucial role in shaping twentieth-century concepts of what literary critical standards should be (the aesthetics). The success of modern Southern writers in creating a regional literature memorable for both its ethical content and its aesthetic quality represents the truest sense in which Southern culture has had a worldwide impact.

Materials

  • William Faulkner, The Sound and the Fury
  • William Pratt, ed., The Fugitive Poets
  • various handouts
  • film of The Heart is a Lonely Hunter

Methods of Evaluation

The first or “regional” segment of the course, called “The Poetry of Southern Places,” will enable students to read “State Samplers” of selected works from their home states evoking the poetic beauty and moral truth of familiar places. We will study how modern Southern writers achieved a new realism, turning away from sentimental escapism and glorification of the Civil War past to meditate truthfully on the South’s social history. This vigorous new literature would no longer just go back to idealized past times, but rather would bring the stark realities of the past forward in time to serve as moral lessons for present decisions and conduct. Each student will then select one novel or full-length nonfiction book from her or his home state and write an analytical paper on its ethical and aesthetic achievement. One of the options equivalent to a “State Sampler” will be a generous selection of African-American poetry and fiction to observe the large extent to which it shares the thematic concerns and aesthetic standards of Southern Literature.

In the second “ethical/philosophical/literary historical” segment of the course, we will read works by the Southern Fugitive Poets, who by the practice of their art and in their theorizing, established the standards of the New Criticism, which revolutionized the college teaching of poetry in America and indeed the world in the mid-twentieth century. We will trace the conceptual origins of their criteria in excerpts from the dialogues of Plato. Then, turning to excerpts from the Ethics and Poetics of Aristotle, we will trace the thematic and emotional grounding of modern Southern fiction, reading stories by great women writers such as Flannery O’Connor, Eudora Welty, and Katherine Anne Porter to observe how modern Southern practice and theory clarified the standards of probability in fiction, and one major Southern novel (such as Faulkner’s The Sound and the Fury or Warren’s All the King’s Men or Styron’s Confessions of Nat Turner) which helped restore full tragic stature to American fiction. The writing expectations in both segments of the course will include analysis of great works as well as creative writing in emulation of them.

VICTORIAN LITERATURE

Queen Victoria came to the throne in 1837 and died in 1901. She was and continues to be the longest reigning British monarch, and the longest reigning female monarch in history. The Victorian era was a period marked by many things; it was the age of railways, industrial development, political democracy, urban expansion, global exploration, the British empire. This period was also a time of education, rising prosperity, widening access to art, literature, illustrated magazines, and popular entertainment. The Victorian elective course will explore the literature that was created during this period — reading novels by authors such as the Brontë sisters and Robert Louis Stevenson, enjoying a satirical play by Oscar Wilde, and exploring the poetry of Tennyson, Rossetti, the Brownings, and others. We will focus our discussions on the gender and sexual politics of the literature and culture of this era.

Content Objectives

Exposure to the historical and broader cultural significance of the different types of literature being produced by writers during this dynamic period of English literary history.

Skill Objectives

Continued development of the skills of close reading and literary analysis, as well as strengthening students' abilities to connect the literature of a period to the broader social and historical context.

Materials

Wuthering Heights, Dr. Jekyll and Mr. Hyde, The Importance of Being Earnest, and an anthology of Victorian poetry

Methods of Evaluation

In-class assessment (quizzes and possibly tests), but primarily students will be assessed on written assignments during the semester.